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EKAM - Kaladiksha@25

Ekam by Kaladiksha at Music Academy, Chennai - September 30th

Ekam is the term used to represent ‘The Supreme Oneness’. This concept was propounded and established by Adi Sankara. Though he did so, he also realized that common people cannot identify and understand such deep philosophy and therefore recommended Bhakti as a means of conditioning one’s mind and focusing on one’s personal God. He identified 6 principle deities of the Hindu pantheon – Ganapathyam (Ganesha), Kaumaram (Kumara), Sauram (Surya), Shaktham (Shakthi), Shaivam (Shiva) and Vaishnavam (Vishnu). These 6 major streams of Hindu worship are referred to as Shanmatham. 
However, on a higher level of consciousness, Adi Sankara believed that Brahman is the one and only reality and everything else is mere appearance or illusion (Maya). There is no duality, there is no form. There is only consciousness. Based on these thoughts, Ekam was conceptualised. 
On the occasion of Kaladiksha’s 25th anniversary celebrations, I needed a theme that would give opportunity for a large number of students to perform. The Shanmatham philosophy gave scope for different batches of students in different age groups to present 6 items in praise of each of the Gods. So, in Ekam, starting with Adi Sankara’s establishment of ‘Shanmtham’ culminates in his non-duality philosophy of ‘Advaitam’.

Our Teachers


Meenakshi an acclaimed performer and teacher of Bharatanatyam , the classical dance tradition of Tamilnadu - South India . 
One representation of this tradition is the Pandanallur style which is characterized by purity of line and form , grace and aesthetics, refined and subtle expressive elements


Nattuvanaar – Teacher – Choreographer Pandian , son of
renowned Mridangam artist Pandanallur Srinivasa Pillai, has trained in understanding the nuances of Nattuvangam from
Guru Inrdra Rajan.

He has been teaching at Kaladiksha for the past 20 years and
has recognized for his efforts by achieving the Krishna Gana Sabha Award – Best Nattuvanaar and Music Academy  - Best Guru in 2001.

Krishna Kumar

Aishwarya started her dance career at the age of 10 at Kaladiksha under guru, Padmashri Smt. Meenakshi Chitharanjan. She has performed in the Navaratri seasons and various temples during the Natyanjali festival.

Aishwarya has a keen interest to teach this art form and is an Assistant teacher at “Kaladiksha” since 2011.


Madhumathi Ravi is a senior disciple of Guru Smt. Meenakshi Chitharanjan, and has been part of Kaladiksha since 2005.  She is a solo performer and teacher trained in both Bharatanatyam and Odissi.  She was
conferred the title – Natya Kala Vipanchee by Dr. Balamurali Krishna in 2013. For several years now, she has been teaching at Kaladiksha and has performed in various productions. She is currently pursuing a Master of Fine Arts in Bharatanatyam.


Divya is our most recent dancer and teacher and part of Kaladiksha since 2016. She has a diploma and post diploma in Bharatha Natyam from Kalakshethra foundation Chennai. 


In 1991 Meenakshi established her dance academy KALADIKSHA  with the sole purpose of training and transferring this rich tradition to numerous students , thereby preserving this unique art form . In the last 25 years over 750 students have trained at Kaladiksha and 75 students have become active performers.

Today the school is recognized as a premier institution in the field of Bharatanatyam . It is empanelled with the Government of India and the Indian Council for Cultural Relations whereby many exchange foreign students avail government scholarships and train at Kaladiksha

Kaladiksha has further launched live online lessons by experienced teachers trained by Mrs Meenakshi Chitharanjan.
Individual online lessons cost between INR 800 - 1500 per 45 minute lesson  based on teacher skill levels.


"After several years of irregular and un-structured
practice of Bharatnatyam, I stumbled upon a performance by the students of Kaladiksha. I enrolled immediately and one and half years later, I believe I have finally found a structured and disciplined program that has helped me continuously learn and progress in building my own repertoire. Kaladiksha's dedicated teachers and Padmashri Meenakshi Chitharanjan's personal attention have ensured that I steadily improve at every aspect of the Pandanallur style of Bharatnatyam which in its every movement demands grace and fluidity. Kaladiksha lays emphasis on providing plenty of opportunities for its students to perform on stage, to build theoretical knowledge of the form thereby enabling me and other students to become better performers. What truly makes every class a joy is knowing that at the end of it, I am one step closer at being a better dancer."
Shruthi Bathina
"It amazes me to think that 10 years have already passed since I began learning at Kaladiksha. From the moment I walked into the studio surrounded by lush nature and heard the nattuvangam, I felt the simultaneous serenity and power that I associate with dance exuding from the very environment. The collective ensemble of students and teachers reflected this integration with nature, as I grew to develop a close relationship with my Gurus that became an innate part of my experience as a dancer. However, the time I was living in India amounts to barely 2 years. I have truly been fortunate as I was able to visit Chennai during my summers throughout middle and high school, absorbing as much as Meenakshi Aunty and Pandian Sir determined would be appropriate for maximal improvement and growth for me. Moreover, meeting with my guru outside of India a few times further solidified my learning from the summers. Dance is an art form that I treasure, and I attribute my connection to it to the constant support of all my Gurus."
Krithika Swaminathan
MIT, Cambridge, MA
"“Matha Pitha Guru Deivam” – This is not just the order of hierarchy in which one should respect these entities , beyond that I think it also signifies the roles of these entities in our lives. 
A father combines the role of a mother and father , a guru encompasses the roles of parents and guides the student as a teacher and God assumes the role of all three precedents. 

For me and many of my colleagues , Meenakshi aunty has been a great guru and has assumed the role of our parents at many times. It is a big privilege to be associated with Kaladiskha for the past 20 years of my life. 
Kaladiksha has enriched my love and passion for Bharatanatyam. The institution has also groomed my personality and has contributed to my self confidence , team work , creativity and perseverance which has helped me significantly in academic and professional front. 

Beyond teaching , our Guru has always encouraged our originality and valued our inputs. This has helped us develop creativity and better understanding of the art. I always felt the spiritual connection while dancing to her choreographies and feel the dance as an offering to God.  It is soulful to experience such good qualitative art form and divinity all at once. On Kaladiksha entering the 25th  year , I would like to thank Meenakshi aunty for being such a wonderful guru and for her service to this art form."
Harini Chandrasekharan
V.Chandrasekharan and Associates
"“Kalasikaha my second home ! Apart from getting the best training of the Pandanallur style of Bharatanatyam Kaladiksha has made me a better and  happier person. Kaladiksha has taught me to love dance and dance for the sheer joy of dancing!!! Kaladiksha played a very big role in my spiritual base, insight into the scriptures in Hinduism and my all round personality development.
I am extremely happy that Kaladiksha is opening its doors to the entire world and urge everyone to give it a try!"
Dr Aparna
Ekadent Dental Clinic



No 6, Baktavatsalam


Mylapore ,

Chennai - 600004.

Tamil Nadu ,


Telephone :

+91 44 24993051

Email :

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